Finish the story you keep meaning to write.

Every screenplay gets stuck somewhere. Chorum helps you find the direction, work the scene, and hear three independent reads on what the next draft needs. Scene by scene to FADE OUT.

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INT. THE 24-HOUR LAUNDROMAT - NIGHT MABEL (70s) folds towels like a surgeon. DEV (20s) stares into a dryer like it owes him money. MABEL You're watching it like it'll change its mind.
When you're stuck

Dev's just standing there. Give him something to do with his hands.

Follow one line from first draft to canon.
You've been carrying this idea for months

Half an idea is enough. Three ways it could go. You choose.

You
what if a guy spends the night before his big interview at a laundromat, watching his one good shirt dry
Best contained film

The Long Night

One location, one night, a dawn deadline. The regulars crack him open, one wash at a time.

✓ You chose this one
Most commercial

Everything Goes Wrong

The dryer eats the shirt. By 9 a.m. he has learned he was interviewing for the wrong life.

Most emotional

The Person He's Avoiding

He is not here for the shirt. He cannot go home. The interview becomes the B-story.

Tuesday night. The cursor blinks.

Your pages, your voice. Help when you want it.

INT. THE 24-HOUR LAUNDROMAT - NIGHT MABEL (70s) folds towels like a surgeon. DEV (20s) stares into a dryer like it owes him money. MABEL You're watching it like it'll change its mind. Dev digs a fist of quarters from his pocket. Counts them. Loses count. Starts over. MABEL Then sit down. Nothing dries faster with an audience.
When you're stuck

Dev's just standing there. Give him something to do with his hands. Quarters, maybe. Counting them wrong.

A line to beat

MABEL: "Sit down. You're making me nervous." Flat on purpose. Beat it.

Stuck mid-scene? Ask. Blocking, a beat, a line to beat. You decide what stays.
You wanted another read. You get three.

One line. Three minds.

MABEL
"Then sit down. Nothing dries faster with an audience."
First reader

"Nothing dries faster with an audience" is the movie in one line. Protect it.

Second reader

Cut "Then sit down." It's warm-up. The image lands harder alone.

Third reader

Keep the warm-up. It's Mabel's patience running out. Cut it and she's just quippy.

Read by three. Argued over. Yours to decide.
Now you know what to do

You cut three words. The line lands harder.

The verdict

"Nothing dries faster with an audience" is the movie in six words. "Then sit down" is throat-clearing. Cut it.

MABEL Then sit down. Nothing dries faster with an audience.

The readers split. The verdict chose a side. You made the cut. What stays is all yours.

You're moving again
Scene one is canon.
Then scene two. That's how stories get finished.
FADE IN: your scene
Every hour you almost spent writing, spend it writing.
FADE OUT is closer than you think.
From a real Chorum session

This is the verdict.

The readers' verdict on The Long Night: the headline take, protect this, biggest problem, and start here. No score, judgment in words.
The scene you just watched get made. Read by three. Unretouched.
Three storyboard shots from The Long Night: the laundromat wide, the two-shot at the folding table, and Dev at the glowing dryer.
The scene, shot by shot
The rewrite pass in Show changes view: the on-the-nose exchange struck through, the tighter lines that replace it highlighted.
The notes become the next draft
The Long Night's three reads on a phone: Claude's card open, ChatGPT's next in the stack.
Your readers, anywhere
Questions writers ask

Straight answers.

Does the AI write my screenplay?

Chorum helps you write it. The readers propose directions, offer blocking help when a scene stalls, and sometimes hand you a deliberately flat line to beat. You decide every word that stays. Ownership is not a setting, it is how the product works: you hold the caret, you make the cuts, you lock the scenes.

Who are the readers?

Three frontier models from three different labs: Claude, ChatGPT, and Gemini. They read your pages independently, so their agreement means something and their disagreement is worth hearing. A lead reader closes each round with one verdict. You make the call.

Who owns my scripts?

You do. Always. Your pages are yours to edit, export, and delete, and Chorum claims no rights to your work. The privacy policy says this in plain language.

What does it cost?

Free every month, with limits, permanently. Pro is $25/month, or $250/year (two months free), with bigger limits on reads, rewrites, and storyboards. Current subscribers keep their price while their subscription stays active. No credit card to start.

Is Chorum for professionals or people starting out?

It is built for people writing without a room full of collaborators: first screenplays, side projects, the script you keep meaning to finish. Professionals are welcome. Nobody checks your credits.

What if it is not a screenplay?

Pick your format when you submit: film, TV series, play, musical, novel, short story. Film is the deepest workflow today; the readers read all of them.

Pricing

Start free. Go Pro when the limits get in your way.

Free
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Every month, with limits. Enough to develop an idea, write a scene, and hear what three readers think.

Pro
$25/month

or $250/year (two months free). Bigger limits on reads, rewrites, and storyboards.

Current subscribers keep their price while their subscription stays active.

No credit card to start.
Finish the story you keep meaning to write.
Start writing
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